America, leave Iran alone!
October 25, 2007
I watched the BBC with mounting horror last night as America’s Secretary of Disaster Capitalism, Condoleeza Rice, ‘declared war’ on Iran by announcing the imposition of sanctions that are designed and intended to do nothing more than provoke Iran and provide Fascist Imperial America, the Duperpower (opposite of Superpower: a duplicitous, deceitful, dishonest rogue nation whose words of ideal mean nothing) with the opportunity to begin World War III.
“Under the influence of politicians, masses of people tend to ascribe the responsibility for wars to those who wield power at any given time. In World War I it was the munitions industrialists; in World War II it was the psychopathic generals who were said to be guilty. This is passing the buck.
The responsibility for wars falls solely upon the shoulders of these same masses of people, for they have all the necessary means to avert war in their own hands. In part by their apathy, in part by their passivity, and in part actively, these same masses of people make possible the catastrophes under which they themselves suffer more than anyone else. To stress this guilt on the part of the masses of people, to hold them solely responsible, means to take them seriously. On the other hand, to commiserate masses of people as victims, means to treat them as small, helpless children. The former is the attitude held by genuine freedom fighters; the latter that attitude held by power-thirsty politicians.” - Wilhelm Reich, The Mass Psychology of Fascism
I want to see Bush and his cronies in the International Courts at Nuremberg for War Crimes, crimes against humanity and the subversion of democracy. The last time Fascism raised its head in the world, the world said “No,” and for 5 years fought to create freedom and liberate the German people from tyranny, millions died. An attack on Iran today is going to be Poland in 1939 all over again. I hope you will all join me in telling the Duperpower to leave Iran alone.
The Rise of the Independent Creative Artist - Prince, Radiohead Lead Way with Bold Marketing Moves
October 3, 2007
When the Free Articulator launched its first articles on the 4th of July 2007 it did so with the Declaration of Creative Independence, and the Code of a Creative Artist, a set of principles which state very clearly how Creative Artists will deal with the business and industry of artistic creative endeavor, and interact with society and civilization.
In September the Free Articulator published my article the Traditional Music Industry Shows Increasing Signs of Collapse. It was pirated within a day of publication and came to the attention of MySpace.
Earlier this year (July, 2007) Prince caught everybody’s attention with the licensing of two million copies of his new album Planet Earth to the UK’s Mail On Sunday. It was touted as a “give away” by the international media, though nothing could be further from the truth; Prince licensed the album to the Mail On Sunday; that’s smart marketing business, demonstrating an understanding and appreciation of what intellectual property rights are all about and how to use them effectively.
This licensing deal with the Mail On Sunday permitted the legal give-away of two million albums and raised the ire of the Music Retailers Association in the UK, who warned musicians everywhere “not to do the same or else…!” Precisely the sort of attitude and response that would encourage musicians everywhere to follow Prince’s example, and by the way, I’d love to interview Prince for our Intellectual Property Series, as I’ve been following what happened to his career since he lost the use of his name to his former-label and I’m thrilled to see his comeback garnering so much attention, as it simultaneously educates and redefines the business model of creative individuals with the industry, society and the public.
Now Radiohead has adopted the idea of the market setting the price for downloaded material and generated millions of dollars worth of free international advertising that purportedly sends a shockwave through the busines, and reflects the insight offered in my article on the inreasing signs of collapse of the music industry. The old model in the recording industry (detailed briefly here) doesn’t work any more, it is a rip-off of artists who have been kept ignorant of the industry’s workings, and disenfranchised of their rights through chicanery and ignorance that is becoming well-known worldwide.
However, as AJC points out in his blog Science of the Invisible, “It ain’t gonna work.” At best, he’s right: Radiohead’s move is free international promotion and that will work, is working, but has little ongoing traction or utility, as one needs to have a large audience, and be a brand that people and the media are aware of.
AJC is also right about what the music industry should do, but, changing a bad philosophical, moral code and business model to something morally sound and ethical requires a radical change in thinking and practise that takes a long, long time. The time to change required extends when you’re talking about an entire industry that is used to having open season exploitation of creative ignorance. Can such a leopard change its blotches?
The industry is a servant of the artist and their public, not the master. That’s the new model, the model of the independent Creative Artists who license their work to others for mutual benefit, sharing the wealth and potential of a work or collection on reaonable and fair terms without giving up ownership or paying for the rip-off of their own property. End the corruption, end the decay. Let’s have an industry we can trust.
Celebrity Culture - BS Observations - Celebrity Cash-and-Burn
October 2, 2007
It’s ironic to me that the Free Articulator’s first front page, launched in 2006 made mention of Britney Spears in the most derisive tones, portending her crash long before the MSM made mention of it with regard to her folding marriage and desperate, but failed attempts to cling to the shreds of her career.
Since then, I’ve been fond of making fun of Britney Spears by saying “The initials say it all.” Meaning that they comment on the music, the woman, her character, and her career. The news that she has lost custody of her children is now exploding into the mainstream media (MSM) and dominating headlines and soundbytes internationally. It gives me pause.
The former Disney Mouseketeer has lost the plot completely. Whatever talent she has, or retains, is obscured, and all the money showbiz has offered, ($50,000,000 a year) for a twenty-something would seem insufficient to help her, though she does a credible (if soul-destroying) job of remaining in the media spotlight; a celebrity’s major job description and most precious social capital these days.
It seems to me that the attention we pay her as she shatters her career, ruins her life and that of those around her is more of a commentary on who we are as a society and civilization, than who Britney is as a falling star of pop culture.
I think the MSM today is feeding and fueling her plunge into obscurity as visibly as possible and that we are helping her along. I find that rather shameful. If we’re to believe the media attitude on this it comes across as “Nobody seems to care,” except the media who rush to publish so they can exploit this event to make money from corporations who’ll purchase more adspace this week to capitalize upon the circumstance of celebrity cash-and-burn (sic). “The meida maketh and the media burneth.” All we are supposed to do is stir the ash; fertile ground for the next media sensation to rise as phoenix and inflame our desire to consume.
As has been mentioned earlier, the Free Articulator will be taking a look at the cult of celebrity in a consumer soceity at a later date.
In the meantime consider what it means as society loses the values it once placed in glamorous graceful and cultured celebrities (holding to the illusion we considered reality at the time), and ponder for a few moments, if you will, who may gain what by destroying the value and inspiration celebrity once gave us.
Celebrity is a commodity traded by the value others place in the attention we freely give.
On who, or what, do you spend your attention today?
There is where the dollars flow.
Warning you may be offended if you click the link…
September 17, 2007
It’s a serious warning, you may be exposed to words and language that may offend your sensibilities, if you still have any. And if you do have some, please let us know how you have managed to preserve them in the face of such offensive journalism that passes for respectability. This is pretty clever stuff, and it illustrates a point found elsewhere. I’m truly encouraged to see this sort of thing going on.
To enjoy being offended click through to this YouTube video.
News Flash: New Report on Reading and Literacy in America
August 23, 2007
…I tell you this report on a recent survey explains a lot about the state of American culture and its role in the world. No wonder it is the way it is! I mean the insight into Republican reading habits…hah! No wonder they’re so hopeless at managing the Duperpower!
How many books did you read so far this year? I’ve finished 4 in the last two months. I still have a stack of 5 I’m getting through. I’m currently close to completing O: the Intimate History of Orgasm by Jonathan Margolis, a simply fasinating look at sexual attitudes that contains some of the initial ideas that promote the gender wars and male-female tensions, and patriarchal hegemony we see around us in society today, but which also looks at how the sexual revolution has been going on (it’s still revolting, but there’s an end in sight); I tell you it didn’t start in the Sixties! As a bonus reading this book is dovetailing very nicely into my university degree where I’m currently studying Gender as a part of a popular culture course, for my communications degree. I read nonfiction (news, information research, and textbooks) during the day and fiction at night (unless I have assignments due) to keep my input balanced and my intellectual perspectives and viewpoints broad. How do you read?
News Flash — Allforart Takes Immediate Action to Protect Creative Artist in Copyright Infringement Case
August 12, 2007
The generosity of Creative Artists is a rather marvelous thing to behold. What is not so marvelous is now others seek to exploit or take advantage of that generosity through various types of chicanery. One of our Creative Artists has recently been told by someone for who he created an original work of art, that he does not own that work and that he “may at some point” get it back.
This is a most serious matter and Allforart is taking immediate action to manage this situation and achieve a satisfactory outcome for all concerned. As things develop we will keep you informed, and while we wish we could say more at the moment, we would prefer a softer approach for a worthy cause. However, if this does not work, then we’ll publish the full story so that other Creative Artists are not burned by similar attempts and can learn from the experience.
US Corporate Censorship of Political Statements by Artists — Pearl Jam
August 11, 2007
If you monitor the art & entertainment industry closely you’ll see how careers are often destroyed simpy by denying access to broadcast channels and the opportunity to address the public in talk shows and current affairs programs. In America such censorship is emerging in a number of different ways, The Dixie Chicks’ statements about George Bush was but one example. The most recent example is to do with Pearl Jam and AT&T. Read more



